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13th
Feburary 2010
Nobel Laureate
Week a Success
This
year’s Nobel Laureate Week’s activities
were the best so far.
The week began with the launch at the Cultural
Centre of the week’s activities, with
extracts from the musical by Derek Walcott,
‘The Joker of Seville,’ by youngsters,
and that was creditably done, despite it being
an exacting play requiring singing, dancing
and acting. The play, I believe, was commissioned
by the Royal Shakespeare Company of England.
The second production that night was ‘The
Harrowing of Bengy’ a play by Roderick
Walcott, performed by the Soufriere Action Theatre
and directed by Mr. Gandolph St. Clair. That
group normally has been known for its Popular
Theatre productions and this, their first major
orthodox play was a credit to the group. Those
who know the play were a bit puzzled by the
long soliloquy by the policeman at the very
commencement of the play, for that is not in
Roddy’s script. The Director, however,
explained, upon being questioned by this writer,
that he had deliberately written that part in
the play in an effort to give more depth, ostensibly,
to the character of the Policeman. That apart
it was indeed a good exercise for the Soufriere
Action Theatre, a new departure for them which
was well executed. The character, Bengy, was
well handled by the actor playing the part and
his acting went down well with the audience.
We look foreword for more of the same from that
Soufriere group.
For the Derek Walcott Lecture by the Nigerian,
Professor Wole Soyinka, the audience had been
the best in several years of that event, with
the Conference Room overflowing with people,
leaving only standing room in the corridors.
Professor Soyinka’s topic was ‘The
Word, that is, Language. Several years ago Professor
Janheinz Jahn of the University of Munich in
Germany had written a book on the subject entitled
‘Muntu,’ which means the Word, in
Bantu In the beginning was the word says the
Christian Bible, and what God named became the
thing named. ‘And God said let there be
light, and there was light.’ The Africans
did the same with ‘Muntu.’
It had been Adam’s task to do the same,
and what he named became the thing named. .
The Hon. Derek Walcott in his long poem ‘Another
Life,’ mentioned, also, that Adam’s
task of naming things. ‘Adam’s Task,’
is also the title of Mgr. Patrick Anthony’s
thesis for his Master’s Degree in Theology.
Prof. Janheinz Jahn mentioned above, is an authority
on African and Neo-African literature and has
written two books on the subject: ‘Muntu’
and ‘A History of Neo-African Literature.’
Among other things the book, ‘Muntu,’
deals with the African cultural situation in
this day and age.
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The Sir Arthur
Lewis Memorial Lecture was also well attended
and one learned much from that lecture.
Then there was the book launch, ‘LOVE
ME,’ by Miss Gemma Weekes at the University
of the West Indies Open Campus on the Morne,
Castries. Miss Weeke’s novel, ‘LOVE
ME,’ is about the youth of to-day and
is set in London and New York during one very
hot Summer. The book reminded me very much
of another novel by another young writer,
the Haitian, Miss Edwidge Dantidat, entitled
‘Breath, Eyes, Memory,’ set in
New York and Haiti.
The Silver Shadow Dancers electrified the
audience at the Cultural Centre with their
production, ‘Dance Of The Villages.’
The late Roderick Walcott, twin brother of
the Hon. Derek Walcott, had taken certain
of Saint Lucia’s myths, legends and
folk tales and other folk cultural traditions
and had turned them into very excellent and
entertaining theatre, musicals, with the music
by the veteran Saint Lucian composer, Mr.
Charles Cadet. Fela Sowande of Nigeria, Villa
Lobos of Brazil and Sibelius of Finland had
used their countries folk songs as the basis
for their symphonic compositions. Tutor and
choreographer of the group, The Silver Shadow
Dancers, Mr. Barry George, has taken some
of Saint Lucia’s folk tales, folk dances
and folk customs and choreographed dances
to them..
As I watched the Silver Shadow Dancers I was
transported back, momentarily, to Africa.
I was in the villages once again, being moved
by the drumming and the seemingly unbounded
energy and enthusiasm of the dancers. Only
in the African villages the young female dancers
dance topless.
The final event was the production, from Barbados,
of the play, ‘PANTOMIME’ one of
the many memorable plays by the Hon. Derek
Walcott, that one based on the Robinson Crusoe
Man Friday story. I was a bit skeptical about
a Walcott play in a Barbadian accent, but
it was not so at all; nothing of the sort.
The two actors gave us an evening of brilliant
professional performances. At the end the
audience rose up in acknowledgement of that
brilliance. Saint Lucia badly needs more orthodox
theatre, and of that kind.
Three cheers to the Nobel Laureate Committee.
Discuss
Story
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