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11th
Feburary 2010
Left in
the dark, but saved by the light…
(or, What a little
Voice article can cause)
Last
week, I penned a little piece on Radio Caribbean
sparked by an item on HTS’ ‘Historical
Footnote’ on February 1, 2010.
I got lots of feedback. I met my friend (and
colleague) Timothy Poleon and he told me he’d
read the piece on his News Spin program. Later,
other persons told me Tim said on the program
after reading the Voice piece that I had three
factual errors – including that he worked
“as an announcer” and not “in
the newsroom” at RSL as I claimed. (Sorry,
Tim.) But he said he would not bother to correct
me.
Tim left me in my ignorance. But not someone
else, who felt that in what she thought was
my “deification” of Rodinald DeCoteau,
I had “left out” or “forgotten”
many other persons “who did just as good,
or maybe even better” than the star of
my piece. (Poor Roddy!)
Nor was I left in ignorance by yet another person
who, evidently, knows the RCI story much better
than I do, and asked me, “So what about
your friend Jerry George?”
In truth and in fact, I did not mean to forget
Jerry -- or anyone else, for that matter --
but what this mutual friend of Jerry and me
informed me about Jerry’s role in RCI’s
history should make the people at Monroe College
glad, even proud, of having him on board.
As my friend sees it, “Jerry is integrally
imbedded in RCI’s history. But because
he’s no longer on air and has never been
on air in many of the programs he produced,
his role, like all producers and background
persons, is very unknown.”
Here’s what more I learned about the station
and the man – as a result of my little
piece in last week’s Voice.
The station will be 49 years this year –
on February 22nd, the same day as St. Lucia’s
Independence anniversary.
The original owners of the station were the
Lejeunne’s. (Madame Lejeunne taught languages
at SJC) and programs were in French, Portuguese,
Spanish and “a little English.”
Back in those days, Radio Caribbean was what
my friend described as “a magnet for visits
by school children, who were fascinated by seeing
the people they were hearing in the radio box.”
In a way, my friend said, “it was the
precursor to Vaughn Noel’s STOP (St. Lucia
Talent On Parade) as it exposed the talent of
students who performed as part of their visit.
Before going all English (on February 1st,1974,
which I wrote about), Radio Caribbean tried
what my informant describes as “a double-barrel
broadcast of French-English in the morning and
afternoon.”
I also learned that “By the time the station
went all English, Emelda Charles had faded as
an announcer and it was Arlette Auguste (now
deceased) who was the star, together with Vic
Fadlin (also deceased).
(Fadlin also entered the World DJ Contest organized
by Rediffusion with the likes of Don Toppin
of Jamaica, who won). But that was also seen
by many (at least today) as the turning point
of radio in St. Lucia for the now “shouter”
style DJs.)
My informant: “Emelda Charles had moved
to the newsroom after her return from CARIMAC.
Margaret Robert Steele did the mid morning.
And Emelda leaving RCI for Jamaica opened the
door for a full time position for Jerry George
in the newsroom.”
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Having spent
perhaps as much time at RCI as Jerry did,
my friend recalled, “Jerry had finished
his GCEs in July that year [the source couldn’t
remember the year] and he was in a job at
RCI by August, earning $199.00 per month.”
“Although he started full-time then,
he was at the station a year before that,
coming in every day after school.
“Sam Flood came after him in October
of that year, but it was Earl Huntley who
introduced Sam Flood and produced the Kweyol
show. But Earl also had his own show called
‘Carib Report’, which was Produced
by Jerry George.”
Other information: Charles Popo was first
a technician and the technical team included
Peter Ephraim, Leo (deceased) Jacques, and
Tom Foster. (Charles Popo went into Kweyol
announcing much later.)
As a “promotion” for its first
anniversary of all English broadcasts, the
station did what my friend remembers as “St.
Lucia’s first ever mobile broadcast
- a van decorated with vinyl records sprayed
in gold and other ‘carnival’ colors.”
Though Jerry’s made a mark as a voice
on radio, our friend sees him as “foremost
a producer.” But, he says, that aspect
of Jerry’s contribution to RCI “is
not generally known, because the background
guys are never mentioned and always forgotten.”
Our friend told me that “Even some of
the other shows you mentioned in your Voice
piece, like News Spin and The Morning Rumble
were created and first produced by Jerry.”
I was further enlightened that the popular
Do You Know Where Your Children Are? “was
actually co-invented by Jerry and Marcellus
Miller” -- and that it started off as
an English version and was then adapted by
Miller in Kweyol.”
Jerry George was also instrumental in training
new talent at Radio Caribbean. “He started
with training (in small measure) the likes
of Marcellus Miller (about 1976) and also
had a hand with Mike Rogers (The WAVE) and
Claudia Edward (RCI). Indeed, our friend insists
“it was Jerry” who christened
Claudia “The Diva”. And Jerry
also had a hand in the growth of more recent
radio and broadcast personalities like Sergin,
Scaddy P, Shannan Le Bourne, Eka, “and
many more...”
Apart from Jerry, the other careers launched
at RCI included (as far as my friend can remember)
Gilbert Salton, Maurice Moffat, Winston Springer,
Andre Paul and Heather Pilgrim.
Now, just look at all what I learned -- from
just one source – as a result of just
that short little Voice article .
The only thing missing is still wrapped in
the dark that my friend Tim left me.
Oh shucks!
Discuss
Story
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